Showing posts with label zombies. Show all posts
Showing posts with label zombies. Show all posts

Thursday, December 18, 2025

NIGHT OF THE LIVING DEAD (1968) directed by George Romero

“Kill the brain, kill the ghoul.” 

Imagine being a kid in 1968 and having your folks drop you off at a Saturday matinee of the latest horror film. Raised on a steady diet of black & white Universal frighfests, Hammer horrors, and Z-grade monster flicks you grab your popcorn and soda, only to be thrust into arguably the most groundbreaking horror film of the late 1960s. 

Mind. Blown. (No pun intended.) 

George A. Romero’s NIGHT OF THE LIVING DEAD raised the bar for horror cinema thanks to its documentary feel, racial and sexual tension, nudity, and gore. Made on the cheap with producers sharing the screen with real actors, it’s one of the great independent films of all time, and a landmark of the horror genre.

Barbara and her brother Johnny bicker as they drive into the country to place flowers at their father’s grave. When they spy a lumbering figure in the graveyard (Bill Hinzman, who turned his brief appearance into a cottage industry), Johnny taunts his sister, only to end up conking his head on a tombstone after the ghoul attacks them (the word “zombie” is never used). The young woman escapes and seeks refuge in a secluded farmhouse, only for it to be surrounded by the shuffling figures.

Ben (Duane Jones) arrives in a truck and helps barricade the home. Eventually, the pair are joined by fellow survivors who have sought shelter in the farmhouse basement: a young couple who were on their way to a swimming hole, and an older couple whose daughter was attacked and bitten by a ghoul. Ben (a young black man) and Cooper (an older white man played by producer Karl Hardman) argue about the safest course of action, bringing the racial and generational issues playing out in the country onto the big screen.

Romero ratchets up the tension between the two factions, and it becomes clear that this is a battle nobody is going to truly “win”.

I’d forgotten that the zombies in this first installment are swifter and more organized than what we’d see years later in DAWN OF THE DEAD (1978) and DAY OF THE DEAD (1985). They smash car headlights and give the survivors tougher foes to combat than the brain dead, blue-skinned monsters who shuffle through the Monroeville Mall. And, despite our hopes that they’ll band together and survive to fight another day, Romero serves up a nihilistic ending that still delivers a powerful gut punch no matter how many times you’ve seen it. 

A handful of films absolutely changed cinema. This is one of them. — Dan Taylor

Wednesday, April 24, 2019

VHS WEDNESDAY RETURNS with NIGHT LIFE (1989) | Review by Dan Taylor

Archie (Scott Grimes of CRITTERS) is a teenage funeral home assistant for his uncle (John Astin). After some over-the-top bullying by high school jocks, a mortuary prank goes awry and Archie gets canned.

But when an accident turns his jocko adversaries and their big-haired gal pals into zombies it's up to Archie and his tomboy grease-monkey friend Charly (Chery Pollak of tv's THE HEIGHTS and MELROSE PLACE) to save the day.

NIGHT LIFE (aka GRAVE MISDEMEANOURS) takes its fine time getting going and fails to deliver on the horror while most of the comedy falls flat on its face. While it's certainly not the worst slice of 80s zombie horror comedy I've ever seen, it doesn't hold up favorably to similar "teens fight zombies" efforts like NIGHT OF THE CREEPS.

However, we will give bonus points for a completely gratuitous appearance by Tony Geary as a skinny-tie wearing, fast car driving smooth talker who tries to bed Charly. – Dan Taylor

Thanks to Bruce Holecheck of CINEMA ARCANA for popping by with this slab of VHS sinema for our enjoyment. And don't be fooled by the trailer (below) that kinda tries to make it look like a vampire flick.

Wednesday, April 25, 2018

BATH SALT ZOMBIES (2012) Directed by Dustin Wayde Mills

I miss the days of topical exploitation and horror cinema, when filmmakers would rip their storylines right from the headlines to offer up slightly (or more than slightly) fictionalized tales of the day’s news events. Whether they were showing us the horrors of marijuana (REEFER MADNESS), teen pregnancy (TEENAGE MOTHER), cults (GUAYAN: CULT OF THE DAMNED) or savage dictators (THE RISE AND FALL OF IDI AMIN), trash filmmakers could often be counted upon to scare up some sort of cinematic boogieman that would make our own lives seem safe and tame by comparison.

Then again, after watching BATH SALT ZOMBIES maybe it’s just a whole hell of a lot easier to rip-off the SAW and PARANORMAL ACTIVITY flicks.

Inspired by a wave of “bath salt”-related violent crimes and cannibalistic behavior, BATH SALT ZOMBIES feels like it wants to be this generation’s answer to the aforementioned REEFER MADNESS. It even starts with a faux bath salts health class propaganda video, though I don’t recall any of the 16mm flicks I saw in high school being peppered with profanity, face-eating and an appearance by Satan himself.

Once that’s out of the way (and it’s not half as funny as you’d hope a profane parody complete with Satanic cameo would be) the plot jumps to present day NYC where it appears that about twenty people live. Ritchie (Brandon Salkil) and his bitchy, busty girlfriend Angel (Erin Ryan) are strung-out junkies in search of their next high until Ritchie scores some new smokeable bath salts from Bubbles (Ethan Holey), a biz-savvy dealer willing to give away that first pack for free.

Little does Ritchie know that he’ll not only be instantly hooked on the junk, but the military-grade designer drug will also turn him into a twitchy, super-strong monster with a proclivity for killing gals with big, natural boobs.

From there BSZ ping-pongs from Ritchie and his killing sprees to the DEA agent on his tail, to Bubbles and drug designer Sal (affably played by director Dustin Wayde Mills) complete with headache-inducing shaky-cam, comically grotesque makeup that gets more outrageous as the flick progresses and a couple flashes of not-quite-brilliance that made me wonder what could have been.

Made for less than a day’s catering on TWILIGHT, the micro-budget strains the production at the seams, highlighting both its pluses (a couple good performances, some inspired stylized mayhem) and minuses (a handful of bad performances, video-gamey CGI, flat script). Salkil makes a fine, twitchy junkie-monster and seems to be having a good time, especially during two over-the-top slaughter rampages that highlight the flick. Unfortunately, much of the flick’s 70-minute running time is monopolized by Josh Eal’s shouting DEA agent, who lays waste to drug cookers and doughnuts with equal aplomb.

With its mix of punk rock music (and filmmaking), face-ripping gore, “real” actors, junkie atmosphere and zero budget, BATH SALT ZOMBIES comes off like some bastard lovechild of the Cinema of Transgression and HG Lewis. Luckily, I enjoyed BATH SALT ZOMBIES just enough to give Mills' SKINLESS (2013) a whirl and was amply rewarded for my optimism. – Dan Taylor

Dan Taylor is the editor/publisher of Exploitation Retrospect and The Hungover Gourmet. This review originally appeared in ER #52, available from Amazon and direct from the publisher.

BATH SALT ZOMBIES is available from Amazon.


Tuesday, January 24, 2017

Exploitation Retrospect Returns with 130 Page 30th Anniversary Issue!

The Journal of Junk Culture and Fringe Media returns with a super-sized 30th anniversary issue clocking in at 130 pages! 

This time out the ER Crew looks at the world of horror anthology films with a special review section featuring SLAUGHTER TALES (2012), TORTURE GARDEN (1967), THE UNCANNY (1977), TOMB OF TERROR (2004), HOLIDAYS (2016), GRIM PRAIRIE TALES (1990), ASYLUM (1972), THE BURNING MOON (1992), CRADLE OF FEAR (2007), SCREAMS OF A WINTER NIGHT (1979) and many more. Plus, we look inside the world of 21st century anthology flicks with filmmaker Scarlet Fry.

We remember THE DESTROYER co-creator Warren Murphy with an interview by The Paperback Fanatic and examine the legacy of Don Pendleton's Mack Bolan (THE EXECUTIONER) and other men's action heroes via reviews, articles and an interview with author Mike Newton.

Obscure horror gets its due thanks to an interview with Gary Wallace (star of video store oddity THE JAR) while Evan Romero waxes nostalgic about Joe D'Amato's PORNO HOLOCAUST and breaks down the films of Jorg Buttgereit.

Longing for the sights, sounds and smells of old movie theaters? Take a trip through Kris Gilpin's theatrical scrapbook while Chris Poggiali examines the history of hot pants cinema.

And what would an issue of Exploitation Retrospect be without a bulging review section? Join Douglas Waltz, Mitch Lovell, John Grace, Devin Kelly, David Zuzelo, Jim Ivers, Evan Romero, Eric Miller, Neil Vokes, Robert Segedy, Mike Hauss and Dan Taylor as they dive deep into a video vortex of horror, action, exploitation and sleaze.

The new issue is currently available from CreateSpace as well as Amazon.

If you prefer to order direct from the publisher, please visit the ER website.

Wednesday, October 05, 2016

31 DAYS OF FRIGHT MEETS VHS WEDNESDAY WITH NIGHT OF THE ZOMBIES

Despite its reputation, watching Bruno Mattei's NIGHT OF THE ZOMBIES (aka HELL OF THE LIVING DEAD) was a watershed moment in my appreciation of trash cinema. ER co-founder and longtime pal Lou Goncey and I rented it on VHS one September evening and enjoyed the hell out of its mix of zombies, bloodshed, gore, nature footage, Play-Doh masks and borderline incoherence. In other words, we'd found a movie to champion. A few weeks later we watched in amazement as a print of the flick – under the title HELL OF THE LIVING DEAD – unspooled at the Super 130 Drive-In on a cool, nearly deserted October evening. Naturally, when the projectionist/security guard started showing the reels out of order we got out of our lawn chairs, hid our beers and made our way back to the "projection booth" to inform him of his error. What we got instead was a shrug of the shoulders as he admitted "yeah, I know... I just didn't think anybody would care!". That event only enhanced the film in my eyes and it remains a favorite of the genre to this day. So, when Evan Romero professed his mutual love for the flick and offered up an appreciation of the VHS for a combo 31 Days of Fright/VHS Wednesday, how could I resist... 

When Bruno Mattei's name is on the marquee, everyone is guaranteed to have a good time. With NIGHT OF THE ZOMBIES, not only do you get Mattei, but you get gut-munching zombies as well! Seriously, what's not to love?

A facility called the Hope Center leaks a toxic chemical which turns people into zombies. Elsewhere, a team of commandos dispatches some eco-terrorists, then head to the Hope Center as all communication has been lost. En route they encounter a female reporter and her Yanni look-a-like assistant, who accompany them on their mission. Standing between the group and their destination are hordes of flesh-eating zombies ready to chow down at a moment's notice! Can our heroes elude the living dead and make it out alive? Or will they become nothing more than zombie fodder?

NIGHT OF THE ZOMBIES has a reputation as being one of the worst zombie films ever made. I mean, with the crack team of Mattei behind the camera and TROLL 2's Claudio Fragrasso behind the script, what else should you expect? Sure, the flick is a bit loopy and unpolished, and it "borrows" liberally from other sources (Goblin's DAWN OF THE DEAD score and footage from the 1976 documentary THE REAL CANNIBAL HOLOCAUST being the most obvious), but if good films are all about providing entertainment, then NIGHT OF THE ZOMBIES is a good film.

What NIGHT OF THE ZOMBIES lacks in refinement it more than makes up for in fun, and the first ten minutes shows it isn't here to fuck around. Wham! Bam! Zombies! Oh, you wanted some build-up and character development? Forget it pal – this is Mattei. The best you're gonna get is right here, right now; and some walking, talking cardboard cutouts. But hey, you do get Zantoro, played by Frank Garafalo, one of the coolest characters ever to traipse through a zombie movie. Oh, and you get a commando who likes to engage in a bit of cross-dressing. Green tutus and top hats never looked so good.

Of course you get plenty of guts and crimson spillage. Gorehounds, rejoice! Fun is at hand! And I've got to admit the effects are pretty solid. And where else are you gonna see a cat tear its way out of a zombie's stomach? Talk about indigestion... Oh, and did I mention that NIGHT OF THE ZOMBIES contains one of the coolest zombie kills ever to grace the silver screen?

If I really had to bitch about anything, it's that the VHS transfer from Creature Features is horrible. Everything is dark and fuzzy and grainy – so much so that at times it is hard to tell what is going on, especially during the village attack. Was that a zombie that just passed by? Who's shooting who? Hello, I'd like a bit of light with my nighttime so I can tell just what in the hell is going on! Thankfully though, the DVD from Blue Underground (under the title HELL OF THE LIVING DEAD) is clearer than Caribbean waters. So pick that one up if you can.

NIGHT OF THE ZOMBIES is tacky, wacky, crude, cheesy – in short, a poor man's zombie film. But it is a whole helluva lotta fun, guaranteed to go well with your beer. So check it out and make this an October worth remembering. – Evan Romero

Evan Romero is a regular contributor to the pages of ER and spends much of his time reading morally questionable books and watching movies no sane person would touch. He is the vocalist/bassist for the punk band Porno Holocaust (you can find them on Facebook and listen to some demos if you’re inclined). You can read more of his reviews at ReelAtrocities.com or at PopHorror.com. He last wrote about MAD COW for Troma Tuesday.

NIGHT OF THE ZOMBIES aka HELL OF THE LIVING DEAD is available from Amazon (on a double feature BluRay with Mattei's RATS: A NIGHT OF TERROR).







Friday, January 01, 2016

2015 Watch List and a Happy 2016 Filled with Trash and Sleaze

The other day I came to a conclusion... I had done a crappy job of keeping track of my movie watching in 2015. Despite a strong start to catalog my wallowing in the cinesludge, somewhere around oh movie #12 I stopped updating my spreadsheet and fell into a deep sinematic funk.

But, thanks to piles of notes, social media posts and streaming services that track my activity, I was able to cobble together what is a completely incomplete snapshot of my 2015 Movie Watching. As expected, the list features numerous anthology flicks (due to the upcoming issue of ER) and documentaries (which are easy to flip on in the background while I work).

What's surprisingly missing are re-visits with old favorites like RE-ANIMATOR, FROM BEYOND, DEMONS, HALLOWEEN III: SEASON OF THE WITCH and LIFEFORCE, so I clearly anticipate catching up with all of them over the coming months.

Having just pulled this list together I won't impulsively pick out a Top 10 Favorites as I often do but I will make a note to swing back around in the next week and highlight some flicks that entertained me in what was an unmotivated year.

Here's hoping your 2016 is safe, happy, healthy and filled with all the action, sleaze, gore and horror you wish!

[REC]3
[REC]4
30 FOR 30: TROJAN WAR
A CHRISTMAS DETOUR
ALTERED STATES
AN HONEST LIAR
ATARI: GAME OVER
BACK ISSUES: THE HUSTER MAGAZINE STORY
BATMAN: ASSAULT ON ARKHAM
BIG HERO 6
BLOODSPORT
BRAIN DAMAGE
CANNIBAL FEROX
CHANNEL 13
THE DAMNED: DON'T YOU WISH THAT WE WERE DEAD
DAWN OF THE PLANET OF THE APES
DEADTIME STORIES
DEATH BY VHS
DIRE WOLF
DISASTER ON THE COASTLINER
ELECTRIC BOOGALOO
ELVES
ENEMIES CLOSER
THE EQUALIZER
FAST 7
FRANKENSTEIN'S ARMY
FUTURE JUSTICE
GODZILLA 1985
GONE WITH THE POPE
THE GOOD DINOSAUR
GOON
HI-8
HOMEFRONT
HORROR OF PARTY BEACH
HOUSE THAT DRIPPED BLOOD
HOW TO SAVE US
INSIDE/OUT
ISIS RISING: CURSE OF THE LADY MUMMY
ISLAND OF THE LIVING DEAD
JACK REACHER
JOHN WICK
JUNK FOOD HORRORFEST
KRAMPUS: THE RECKONING
LIFE ITSELF
LOST SOUL
MARTIN
MASSACRE MAFIA STYLE
THE MINION
NEAR DARK
NEVER LAKE
NIGHT OF THE DEMONS
NIGHT TERRORS
NIGHTFALL
NIGHTHAWKS
THE OCTAGON
OUT OF FOCUS
PIRANHA 2: THE SPAWNING
QUARANTINE
QUARANTINE 2: TERMINAL
RAGE
RISE OF THE BLACK BAT
SCAREWAVES
SCOOBY-DOO & KISS: ROCK & ROLL MYSTERY
THE SHIEK
SHOCK VALUE
SILENT RAGE
SPECTRE
STAR WARS: A NEW HOPE
STAR WARS: RETURN OF THE JEDI
STAR WARS: THE EMPIRE STRIKES BACK
STAR WARS: THE FORCE AWAKENS
SUPERSTITION
TALES FROM THE CRYPT
TERROR VISION
TORTURE GARDEN
THE UNLIVING
VAULT OF HORROR
WE ARE GOING TO EAT YOU
THE WRECKING CREW
ZOMBIES: THE BEGINNING

Friday, October 09, 2015

31 DAYS OF FRIGHT: The Zombinator (2012)

"You're in Youngstown... no one cares."

After 30 years of watching and writing about trashy horror movies and violent action flicks I've adopted some definite maxims. One is that if you can't tell me your story in 90 minutes or less I probably don't want to hear your story. Another is that every movie would probably be improved by sticking some zombies or zombie-like creatures in it.

For example, I love NIGHT OF THE CREEPS but without the slug-infested frat boys it's just another teen sex comedy with a depressing sub-plot about some local cop who killed himself. DEMONS? Take out the titular creatures and it's an Italian arthouse flick. RE-ANIMATOR without Dr. Hill and his sexually aggressive head is just one in a long line of med school dramas. No thanks!

Luckily, the producers of THE ZOMBINATOR realized that the world did not need yet another documentary about the Youngstown, Ohio fashion scene and decided to amp up the proceedings with an improvised docudrama-cum-horror flick featuring a Schwarzenegger impersonator who looks like Steven Seagal and NFL coach Gary Kubiak had a big trenchcoat-wearing baby.

Sure, that'll work.

Set in the aforementioned and horrific-looking Youngstown – in the news recently for this hysterical story – THE ZOMBINATOR begins as an excruciating faux fashion doc filled with local fashionistas blabbing about stuff. And fashion. At a wake for Bobby, a local serviceman who lost his life in Afghanistan, they stand around, talk about projects and going to "the city" (Cincinnati? Pittsburgh? Dayton?!). Also in attendance is The Colonel (co-producer Patrick Kilpatrick), a no nonsense military type who brought Bobby's ashes back from the Middle East and remarks – with a straight face and not a hint of sarcasm – how these numbskulls are the greatest generation.

When a set by Youngstown's finest zombie metal band is interrupted by a little undead girl, THE ZOMBINATOR finally begins morphing into the zombie outbreak thriller we were all hoping for, though director Sergio Myers punishes us by maintaining the reality show/documentary conceit until somebody finally blurts what we're all thinking – "why are you guys still filming this?!".

Oddly fascinating and surprisingly entertaining in a "how did this get made?" way, THE ZOMBINATOR eventually takes over its host and turns into a full-blown rip-off of a low grade, straight-to-video Seagal flick, complete with government conspiracies and a mano-a-mano showdown between The Colonel and The Zombinator (Joseph Aviel).

Filled with eye-rolling improv, metalhead ghostbusters, smoking priests and thick legged fashion gals in short skirts, THE ZOMBINATOR clocks in at a relatively painless 81 minutes. I guarantee your mileage will vary with this one. – Dan Taylor

THE ZOMBINATOR is available from Amazon and as of 10/9/15 is currently streaming free as part of Amazon Prime.

Dan Taylor is the editor and publisher of Exploitation Retrospect and makes no apologies for liking THE ZOMBINATOR at the same time he hates RETURN OF THE LIVING DEAD. For more head scratching sinematic admissions visit our website, follow ER on Facebook and like us on Twitter.

Friday, October 31, 2014

CONTEST: What's In Your Horror Movie Survival Crate?

We've all been there... you're watching a horror flick and you simply can't believe what the characters on the big (or little) screen are doing.

Whether they're going back into the creepy house or deciding to explore that "strange noise" coming from the shed where all the power tools are, we all think we're smarter than the victims du jour.

But would you really survive an encounter with a knife-wielding maniac, possessed prom queen or alien-inhabited lumberjack? Maybe if you had a chance to plan ahead, imagine what you'd need to last till the end and get it all in a big crate that would arrive at an opportune moment?

Here's your chance to show how much smarter than stock horror movie characters you are! Use the comments section below to name up to five things you'd want to receive if you were a character in a horror movie. They can be as creative or practical as you want (like a really slow sidekick or maybe some extra gas for that chainsaw you just know is going to konk out at the wrong time).

On Wednesday, November 5, 2014 we'll select a comment at random to receive a crate of goodies from ER HQ. Okay, "crate" might be the wrong word. How about a "box" of goodies including the new films INSIDE, SOULMATE (executive produced by Neil Marshall) and ZOMBIE HOOD, copies of Exploitation Retrospect 51 and 52 and more.

And speaking of crates, check out the cool gifts available at ManCrates.com that inspired this contest. I once spent a summer working in a warehouse opening crates of sheet music with a crowbar. If you've never opened a crate with a crowbar, you're missing out on one of life's little pleasures.

Unfortunately, all the crates we opened had sheet music in them. And the occasional slice of geriatric porn somebody at the other warehouse stuck in there to "shock" us. They never contained anything cool like bacon, old school toys, or everything you'd need to survive a few extra days in the coming zombie-pocalypse.

IMPORTANT! Anonymous comments will be removed since we have no way of contacting you if you win!



Tuesday, October 28, 2014

31 Days of Fright: Slashers, Sleaze and Losing My Milligan Virginity, or, An Exhumed Horrorthon VIII Recap

For the last eight years, the holidays have arrived early here at ER HQ. And no, I don't mean Christmas or Thanksgiving – though I do love the opportunities they present to eat, drink and gather with family and friends (and maybe even offer up some Holiday Horrors).

No, I'm talking about Halloween, or, more precisely, the annual Exhumed Films 24 Hour Horrorthon. Launched back in 2007 to celebrate the DelVal film group's 10th anniversary, they have treated (and occasionally tricked) us with eight 'round-the-clock cinefests designed to delight, shock, scare and enthrall us... and 2014's edition was no exception. (For more on Exhumed VIII including some live sound check out Cinesludge episode 3.)

After spending Friday evening handing out hundreds of pieces of candy – and winning the pumpkin carving contest – at my daughter's grade school Boo Bash (think Trunk or Treat held inside), I downed a few beers and hit the hay to embrace the last sleep I'd get until late Sunday afternoon. With Horrorthon partner-in-crime Bruce Holecheck (of Cinema Arcana) along for the ride we made our way to Philly, ditched the car in the over-priced hotel garage, though secure in the knowledge it would be there for a quick, painless departure the next day.

Our approach to the show has changed over the years. The first year was truly uncharted territory and friends called us "crazy" for going. Until we reported back how fun the event was and, oh yeah, that we saw PIECES, BURIAL GROUND, DEMONS and PHANTASM – just to name a few – on the big screen. I remember drinking gargantuan amounts of coffee and Mt. Dew that first year and stashing a small pizza under my seat for late nite noshing.

These days my "go bag" is packed with bottles of water, Cliff Bars and 100 calorie packets of roasted almonds for when hunger hits at an inopportune time. Even my beloved Wawa Italian hoagie has been replaced with a chicken salad sandwich on rye with bacon and I drink more water than coffee. But it certainly paid off this year as the urge to doze was far less frequent and I only snuck out for fresh air and caffeine twice, but more on that later.

The pre-show line is always fun as you end up chatting with the folks around you about the event's secret lineup – films are not announced in advance and a program (and ballot) with vague clues is your only insight into what's in store. After seven years of pathetic shots in the dark I've given up on making guesses and handed my ballot over to Bruce. I've seen a lot (A LOT) of movies in my day, but I don't possess an encyclopedic knowledge of obscure gore and insane slashers... plus, I tend to convince myself that every clue is really going to finally for reals mean a showing of a beloved flick like LIFEFORCE, BLOODSUCKING FREAKS or NIGHT OF THE CREEPS.

Quick "hellos" to pals like Doc Terror and Chuck Francisco complete, we're in our seats for announcements (Most Important: No talking! This isn't your living room and, despite what you may think, you're not a writer for MST3K.) and door prizes, anxiously awaiting the first of – gulp – 15 flicks over the next 24 hours and change.

1. THE KEEP (1983)
Previous fests have typically launched with more of a straight horror flick, so this atmospheric slice of WWII horror/sci-fi from writer/director Michael Mann was a bit of a departure. I hadn't seen THE KEEP since the days when it played PRISM (Philly's local movie/sports pay cable channel) but I remembered it had a rocky road to the big screen and online reports suggest that about half its original running time was chopped for theatrical release. While the studio interference certainly shows, the cast is great, the Tangerine Dream score is haunting and brought to mind Mann's MANHUNTER, and it features a somewhat good guy-esque role for the usually villainous Jurgen Prochnow. Available on what looks like a grey market DVD.

2. BLACK MAGIC (1975)
Martial arts star Ti Lung headlines this 1975 Shaw Brothers classic complete with battling magicians, countless potions, erect talisman, a supporting German Shepherd and rice-encased privates. A rich schemer sets her eyes on a young, engaged engineer and hires a sinister magician to cast a love spell. Followed a year later by the even crazier sequel, BLACK MAGIC 2 (aka REVENGE OF THE ZOMBIES). Available on DVD.

3. GODZILLA'S REVENGE (1969)
I vaguely recall having seen this kiddie-oriented Godzilla flick when it aired on UHF back in the 1970s, but doubt I've seen it since. A latchkey kid daydreams of trips to Monster Island, where Godzilla lives with his son Minira and a bevy of other kaiju critters. The kids and a subplot about some bank robbers are a little annoying but even recycled Godzilla flick footage is a treat on the big screen. The flick's moral seems to be that the path to happiness is fighting and pulling pranks, and that just seems odd. Available on DVD.

4. LEATHERFACE: TEXAS CHAINSAW MASSACRE 3 (1990)
I've never been a fan of Tobe Hooper's over-the-top, Cannon-financed sequel, much preferring Jeff Burr's take on the family of cannibal killers roaming the dark back roads of the Lone Star State. Featuring Viggo Mortensen, Ken Foree and Kate Hodge in her first starring role, LEATHERFACE is a perfect example of late 80s/early 90s horror cinema, complete with dated styles, quippy dialogue, a hard rock soundtrack (Laaz Rocket!) and – unfortunately – harsh MPAA cuts to achieve an R rating. Still, even when neutered this is a fast-paced and occasionally harrowing minor classic. Available on DVD with R-rated and Unrated versions.

5. BLUE MONKEY (1987)
Each Exhumed Horrorthon contains at least a couple flicks I simply never, ever expected to see on the big screen. This year featured several of those "Whoa!" moments, the first of which was William Fruet's 1987 paean to the big bug monster flicks of the Atomic Era (reviewed on our website many years ago). An innocent finger prick ends up producing a monstrous bug – thanks to a growth agent added by some too cute kids – and it's up to off-duty cop Jim Bishop (Steve Railsback) to save the day with the help of an ER doc and her entomologist pal. Shifting effortlessly between comedy, action and goo-drenched horror, BLUE MONKEY also features SCTV regulars Joe Flaherty and Robin Duke as comic relief and a pre-teen Sarah Polley (DAWN OF THE DEAD remake) as one of the kids. Available on VHS only.

6. PET SEMATARY (1989)
The Stephen King novel that inspired this stiff, stagey flick may have been the last book I read from the prolific author – and I recall not being able to put it down. Maybe that's why I've never warmed up to this adaptation and always preferred the way over-the-top sequel featuring Clancy Brown as the world's craziest living dead sheriff. At least that flick knows what it is and embraces it... PET SEMATARY wants to be taken seriously (Dale Midkiff is ponderous as the lead) while its attempts at horror produce more titters than terror. Sometimes, Wawa is better and once I was sure we were getting this overrated entry I made my way down the street for coffee and fresh air, knowing I'd get back in time for the meat of the flick and that killer title tune from the Ramones that plays over the end credits. "I don't wanna be buried... in a pet cemetery..." Available on Blu-Ray and DVD.

7. THE GATE 2 (1990)
The festival's 80s block comes to a conclusion with Tibor Takacs' follow-up to his 1987 metal-and-monsters original (which opened the 2012 Horrorthon). Louis Tripp returns as Terry, the metal-loving teen intent on giving another go at conjuring the demons that emerged from the titular gate in his friend's backyard years earlier. When he's joined by a trio of delinquents, they find themselves able to grant wishes... until it all turns (literally) to shit. Co-star/love interest Pamela Adlon (billed here as Pamela Seagall) went on to a prolific career as a voiceover actor, even winning an Emmy for her work as Bobby Hill on the beloved KING OF THE HILL. "All sloppy... and no joe." Available on VHS only.

8. LAST HOUSE ON DEAD END STREET (1977)
With the Horrothon nearing its halfway point, the tone shifted dramatically from the more innocent late 80s/early 90s to the dank, dark and dangerous 1970s thanks to the very "WTF?!" LAST HOUSE ON DEAD END STREET, an orgy of sleaze and violence that makes Wes Craven's LAST HOUSE ON THE LEFT look like a Disney flick. Directing as Victor Janos and starring under the name Steven Harrison, gutter auteur Roger Watkins packs this surreal head-scratcher with images of sex and pseudo-snuff that put it miles ahead of similarly "controversial" flicks like SNUFF. I'd be hard pressed to synopsize LAST HOUSE but suffice it to say that it kept the audience in stunned silence for its mercifully short running time (and I mean that in the best way possible). Available on DVD.

9. GURU THE MAD MONK (1970)
To be frank, I'm not sure exactly what could provide an adequate palette-cleanser after the sensory onslaught of DEAD END STREET, but this Andy Millgan "period piece" was probably as good a choice as any. Surprisingly, despite wallowing in the cinemuck for 40 years (?!) I have never had the "pleasure" of watching an Andy Milligan film. Oh sure, I've read about his work in everything from FILM THREAT to SLEAZOID EXPRESS, but I never pulled the trigger on one of his polarizing, anachronistic epics. As Bruce put it while the credits rolled, "it's like a filmed stage play put on by insane people". I'm not sure I can do GURU more justice than that – and I'm not sure I'll be seeking out more Milligan in the future – but I'm glad I can finally say that I'm no longer a Milligan virgin. Available on DVD.

10. BOG (1983)
Looking every bit like it was filmed in the 1970s – because it was! – BOG has the dubious distinction of being the one flick that desperately wanted to seduce me into a late night snooze. I wasn't sure if it was the timeslot or the movie itself (Bruce insisted on the latter), but BOG's long takes, geriatric love story and deliberate pacing kept wanting me to accept sleep's sweet embrace. "Be gone, harlot!," my brain screamed as I fought to stay awake and cross the threshold from that dangerous 2 AM to 5 AM slot into the sinematic homestretch. And once BOG's creature was defeated – or was it? – I got a second (or, perhaps, third) wind. Available on DVD.

11. MOTHER'S DAY (1980)
People have asked me if the Exhumed Horrorthon features breaks to grab dinner, use the bathroom or simply stretch your legs from the International House's not quite comfortable seating. And while the answer used to be a qualified "yes", recent years have seen the show feature little more than five to ten minutes of trailers jammed between flicks. In other words, just enough time to use the john, grab a smoke or hike down to the nearby Wawa for a sandwich and coffee. Naturally, it's wise to wait and see what film begins next, so when the trailer reel after BOG suggested that the "satirical" horror on tap was from the folks at Troma, I waited with bated breath. Was this the year that my beloved BLOODSUCKING FREAKS would finally appear on that big ol' screen? Or, was it going to be a more likely candidate such as the mean-spirited, though at times intentionally funny, MOTHER'S DAY. Unfortunately, it ended up being the latter so I waited through the opening 20 minutes or so and ducked out for some invigorating 5 AM in Philly air, returning in just enough time to see the trio of gals from the "Rat Pack" take their revenge on mama and her boys. Available on Blu-Ray and DVD.

12. HELLO MARY LOU: PROM NIGHT 2 (1987)
The homestretch of any Exhumed Horrorthon is always dicey. At that point you've fought off sleep, rounded the corner towards home, gotten your xth wind and can kinda see that finish line. But will you sprint across, propelled by the power of LADY TERMINATOR, THE CHILDREN, PIRANHA and RE-ANIMATOR (a la 2009) or be dragged kicking and screaming like 2011's quartet of BLOOD DINER, THE BURNING, MAXIMUM OVERDRIVE and MEET THE FEEBLES? (Full disclosure, that was the only year I actually left the event before the last film was over, embracing a hazy ride home over Peter Jackson's ho-hum puppet flick.) This year's closing quartet definitely delivered the goods, kicked off by this supernatural – and in my opinion – superior sequel to the more ballyhooed original (recently reviewed by Chuck Francisco). Barbecued prom queen Mary Lou Maloney possesses the body of good girl Vicki Carpenter (who may be afraid of what's happening to her but isn't afraid of some full frontal nudity) and even sets her sights on former beau Billy Nordham (Michael Ironside), now the school's principal and the father of Vicki's boyfriend. This flick is absolutely 80s and absolutely one of my underrated faves, though I can't believe there are two more PROM NIGHT flicks! Available on DVD.

13. NIGHTMARE AT SHADOW WOODS (1987)
Probably better known under the title BLOOD RAGE (which apparently sports a different cut of the film), SHADOW WOODS is a rare Holiday Horror set on Thanksgiving. Set off by seeing his mother (Louise Lasser) hook up at the drive-in, a young boy murders another patron with an axe and promptly blames his twin brother, who gets locked away for the crime. Fast forward to Thanksgiving night when the locked up (but innocent) brother escapes from the mental facility and mom announces her engagement to Brad the apartment complex manager. Evil twin Terry – now a college student – is set off by the announcement and begins butchering his way through friends, family and hospital staff sent to retrieve his brother. Never quite by the numbers, SHADOW WOODS benefits from performances by the quirky Lasser and Mark Soper (as both of the a bit bonkers brothers), plentiful gore, some nudity, early 80s fashion crimes (it was filmed in 1983 but not released until 1987) and a script that isn't afraid to repeatedly use a blood/cranberry sauce gag. I'd love to see this obscure gem get a nice release. Available on VHS.

14. KINGDOM OF THE SPIDERS (1977)
I still remember my skin crawling when I watched this NIGHT GALLERY-worthy tale of aggressive spiders attacking a remote Arizona town when it hit UHF back in the late 1970s. And unlike some horrors of the period, KINGDOM holds up extremely well, benefitted greatly by a top-notch B-cast headlined by William Shatner, Woody Strode and David McLean. Shatner – as veterinarian Rack Hansen – never overdoes it as the horseback riding hero and the whole cast plays the grim tale straight. The final shot is haunting and reminds you of a time when ending horror flicks on a down note was a-ok. Available on DVD.

15. NIGHT OF THE CREEPS (1986)
"Thrill me." I've been waiting almost 30 years to see Det. Cameron (Tom Atkins in a movie-stealing performance) utter those words on the big screen and the wait was totally worth it. Part of a personal 80s Trinity that also includes RE-ANIMATOR and DEMONS, NIGHT OF THE CREEPS remains one of my favorite horror films ever made and – for me, at least – one of the few horror-comedies that deftly juggles exploding heads and one-liners with equal aplomb. I rated it five stars upon seeing the VHS back in the 80s and it ranks that high to this day. And, thanks to the guys at Exhumed Films, I can cross another masterpiece off my Theatrical Bucket List. Available on Blu-Ray and DVD.

So there you have it – a quickie recap of a great event featuring one of the most solid Horrorthon lineups to date. Kudos to the entire Exhumed Films crew who bring together a great annual event that comes off almost seamlessly, though I know that there are probably plenty of hiccups along the way.

I just have one request for next year or the next or even the next. BLOOD! SUCKING! FREAKS! In the meantime I suppose I can settle for the new Blu-Ray...!

Friday, September 19, 2014

Exploitation Retrospect 52 Now Available!

Just a quick note on a Friday afternoon to let you know that Exploitation Retrospect #52 is officially available for purchase!

I didn't want to promote it too much till I saw an actual printed copy and made sure I wasn't yanking it from Amazon due to some horrific oversight (though my wife did mention that because I cut my editorial I neglected to thank her in the issue... doh!).

My initial copy arrived last night and despite some nit-picky stuff like a too small gutter margin and some cropping issues with the pages I'm very pleased with how the issue turned out.

Contents include:
  • David Zuzelo's penetrating look at Nikkatsu erotic cinema
  • John Grace on Hollywood bully Burt Lancaster
  • Jonathan Plombon's examination of WAVE  Productions, death fetish films and the cult of pseudo-snuff
  • Chuck Francisco on those naughty Nazi Zombies
  • A beefy review section featuring manly action flicks and men's action novels – in particular Remo Williams aka The Destroyer – with many contributions from Mitch Lovell
  • Plus, tons of reviews on the best and worst in horror, sci-fi and sleazery from Douglas Waltz, John Grace, David Zuzelo, Chuck Francisco, yours truly and many more
It's all wrapped up in a beautiful glossy cover featuring exclusive artwork from Rondo Award-winning illustrator Neil Vokes with colors by Matt Webb.

You can order from CreateSpace, Amazon or directly from ER HQ.

And stay tuned for a new look – and new content – coming to the website soon!

Thursday, September 11, 2014

ZOMBIE PIRATES (2014)

Now that ER #52 has been put to bed it's time to turn our attention to the flicks, zines, books and comics we were not able to get into the latest issue. Stay tuned to the blog as we'll be ramping up the pace with plenty of junk culture and fringe media reviews as summer draws to a close. Today's review comes courtesy of David Zuzelo (Tomb It May Concern) who took the plunge and tested the waters of the new Retromedia TV with the cool looking ZOMBIE PIRATES...

ZOMBIE PIRATES could not have been better targeted than directly at me. Let's see... a kick ass poster of (not surprisingly) ZOMBIE PIRATES? Yep! A description that includes a tribute to THE BLIND DEAD? OK, now I have to buy it. And gore? Oh, sure... there is some gore! What isn't to like? Well, I found ZOMBIE PIRATES to be an entertaining enough micro-budget film that looks sharp and contains a few nifty tributes to the undead Templar titans as well as a few good performances from the leads, though it has so much padding that I think long time trash cinema fanatics will feel like the original GHOST GALLEON plays as fast-paced as a fight from ONG BAK comparatively. While things meander a bit, and I feel like I could now close up a tattoo parlor, right down to changing the paper towels, I really liked it overall! So, recap time...

Linda (Sarah French/Scarlet Salem) is obviously one tough cookie. We meet her as she heads home with a bullet in her shoulder and a grimace on her face. Why? Well, it turns out she has robbed and killed a finder of artifacts (oh oh) and taken not only money, but some other things of mystical import. Enter the ominous, mustachioed Grant (J.C. Pennylegion), who takes a lot of time explaining that she has come into contact with a Necronomicon-esque book that contains the method to feeding flesh to undead pirates in return for silver and other treasures. AS LONG AS YOU DO IT RIGHT! Well, of course...

Linda gets forced into being said skin salesman or footage of her robbery will be sent to the police. She jumps right in, killing dudes left and right with a little seduction or even a sneaky kill a la the opening of HOUSE BY THE CEMETERY... and in comes the mossy maven of malevolence... CAPTAIN LASSARD (Eric Spudic). He looks cool as hell, though the HD video doesn't do the costume many favors in some ways.  This all continues until a bothersome officer of the law, Detective Knofke (Denman Powers) makes the scene and seems to have a fun obsession with using STAYING FOR COFFEE as a strong arm tactic. Make this guy a cup, even after he quits, because he has DNA evidence to hoodwink you out of, ladies. Pretty slick...

The Zombie Pirates have arrived!
But what happens when the cop gets hip, the sacrifice goes late and the ZOMBIE PIRATES lay siege to a rather nice little home on the water? Gore! CGI! FUN!

While it runs too long with many repetitive scenes as Linda drags her white-bagged victims out to sea, or folds and unfolds a chair in her bathing suit, there is a lot to like for the low budget fan. The monster suits are really nice and I was especially impressed by ZOMBIE PARROT as well as a tiny ship shot almost exactly like the Ghost Galleon that Amando de Ossorio forged for The Blind Dead. I think the tiny budget and extremely high quality video camera dents the atmosphere that they were going for when Lassard shows up at the door, but the boat sacrifices and nomnomming are very well done. It's hard to hang a movie on just those sequences however.

A Ghost Galleon by any other name.
Thankfully, the actors do a good job with the material. French pulls off her character's various moods and "take no shit" attitude nicely and her scenes with Powers as the chatty cop are great fun fodder. Something about cops in Retromedia presentations is always fun. While not going for comedy in most instances, the two gel nicely and even I wanted to smack the detective in the head.

Most notable for me is the score is a perfect example of keeping a film flowing even in the dead spots of running time filler. An electronic score that hums beneath the entire film, it's got enough creep to keep my attention even when it starts to wander. Director Steve Sessions knows how to shoot a zombie attack AND score it at the same time. I'm impressed!

Overall, it would take a seasoned micro-budget fan to really love ZOMBIE PIRATES, but it's a serviceable slab of schlock for Blind Dead fanatics to take a look at.

Zombie Pirate nomnoming on a victim.
Another thing of note: this was my first purchase at the launch of RETROMEDIA.TV, a new service from Fred Olen Ray's company. Available through Vimeo, the movies are available to rent (for $3.99 a week) or purchase. Never having tried digital purchasing through Vimeo, I was really pleased with the quality of the product. For $7.99 you get an MP4 file that looks incredibly sharp. While you can stream through Vimeo, it is currently not on the Roku that I use. I simply put the file on a USB stick and played through my blu-ray player. The service could be a huge boon to Funky Cinefiles ready to accept medialess purchase (I'm very hesitant, personally). With the promise of items like an uncut TOMB OF THE WEREWOLF ahead, I'm sure it will be something to watch.

While I can't comment on the DVD release of ZOMBIE PIRATES, I did notice that the Retromedia disc contains HORROR OF THE ZOMBIES/GHOST GALLEON as an extra. Now that is a great flick and will certainly help anyone befuddled by the main feature as to what the tribute mentioned on the box was all about.

Definitely a decent sign of things to come, the Retromedia empire is about to enjoy some digital dominance I hope!

Zombie Parrot says... OUTTA HERE. SQUAAAAAK!!! – David Zuzelo

Monday, October 28, 2013

I Survived the 7th Annual Exhumed Films Horrorthon!

Just woke up after sleeping for 12 hours to recharge my batteries. Got up at 6 AM Saturday to head to Philly for the 7th Exhumed Horrorothon. Doing a blow-by-blow writeup for Weng's Chop #5 but the flicks screened (all prints mind you) included:
  • DEMON KNIGHT
  • MONKEY SHINES
  • REVENGE OF THE LIVING ZOMBIES (aka Bill Hinzman's FLESH EATER)
  • MANSION OF THE DOOMED
  • INFERNO
  • WELCOME TO MY NIGHTMARE
  • TINTORERA
  • the original HOUSE ON SORORITY ROW
  • NIGHT TRAIN TO TERROR
  • THE PARASITE MURDERS (aka THEY CAME FROM WITHIN)
  • GOLDEN VOYAGE OF SINBAD
  • TOXIC ZOMBIES
  • DARKMAN
  • DEMONS 2
Thought this was a really consistent, solid lineup without any of the staggering lows of previous years (SON OF BLOB and DRACULA VS FRANKENSTEIN I'm looking at you) though without any super high points (I definitely loved seeing FLESH EATER, NIGHT TRAIN, TINTORERA, WELCOME TO MY NIGHTMARE and DEMONS 2 on the big screen).

Have to adjust my blood-to-caffeine levels and get back to work... look for more 31 DAYS later as we head towards the Halloween finish line!

Monday, October 07, 2013

Six Years of Exhumed 24 Hour Horrorthons... And Counting

I always love when a weekend hits pretty much all of my interests in one fell, 48 hour swoop. Though I was happy to spend yesterday throwing back cups of chowder and chatting with old friends at Long Beach Island's annual Chowderfest, Friday night definitely got the festivities started on a particularly high note.

Not only did I get to try some very good barbecue at a local joint I wasn't familiar with (watch The Hungover Gourmet for a full review), a bunch of pals and I got to see Italian prog rock and horror soundtrack maestros Goblin during their first ever North American tour. There's nothing quite like hearing the thundering scores from some of your favorite horror movies come to life – and split your eardrums in the process. (If you missed them, shame on you. But you get another chance as they're making another trip to the States later this year.)

During the course of the evening the topic occasionally turned towards what horror films we'd been watching or were planning on watching during the Halloween season and that topic inevitably led to talk of Exhumed Films 24 Hour Horrorthons both past and future. (Speaking of future, the image above is the mockup of the shirt for this year's even by Burneyart.) At one point, Cinema Arcana editor Bruce Holecheck remarked what a really staggering amount of stuff the two of us had seen over the course of the six marathons we had attended.

I did some quick math in my head and calculated it had been approximately 84 flicks (14 film per year average x six years) but I felt like I needed to dig out my lists and see exactly how many films we're talking. Plus, for the life of me, I couldn't remember 90% of what played last year.

So here's a running tally of what features have been screened at the first six Exhumed Films 24 Hour Horrorthons...

2007
1. HALLOWEEN
2. GODZILLA VS THE COSMIC MONSTER
3. DON'T BE AFRAID OF THE DARK
4. HELLRAISER
5. PHANTASM
6. PIECES
7. AN AMERICAN WEREWOLF IN LONDON
8. BLACULA
9. BURIAL GROUND
10. TEENAGE MOTHER
11. DRACULA VS FRANKENSTEIN
12. DEMONS
13. ALLIGATOR
14. GATES OF HELL

2008
15. THE FOG
16. DESTROY ALL MONSTERS
17. PHANTASM 2
18. WICKED WICKED
19. NIGHTMARE ON ELM STREET
20. THE INCREDIBLE SHRINKING MAN
21. THE BOOGEYMAN
22. FRIGHT NIGHT
23. DEAD & BURIED
24. ISLAND OF THE DAMNED (aka WHO CAN KILL A CHILD?)
25. EQUINOX
26. TEXAS CHAINSAW MASSACRE 2
27. FOOD OF THE GODS
28. RETURN OF THE LIVING DEAD

2009
29. CREEPSHOW
30. GODZILLA ON MONSTER ISLAND
31. THE FLY (Cronenberg)
32. THE OBLONG BOX
33. FRIDAY THE 13TH PART IV
34. RAW FORCE
35. THE NEXT VICTIM
36. CITY OF THE LIVING DEAD
37. HERCULES IN THE HAUNTED WORLD
38. TRAUMA
39. LADY TERMINATOR
40. THE CHILDREN
41. PIRANHA
42. RE-ANIMATOR

2010
43. A NIGHTMARE ON ELM STREET PART 3
44. MIGHTY PEKING MAN
45. THE VAULT OF HORROR
46. IT LIVES AGAIN
47. DAWN OF THE DEAD (Romero)
48. THE DEADLY SPAWN
49. PHANTOM OF THE PARADISE
50. FIVE ELEMENTS NINJAS
51. THE FUNHOUSE
52. THE HOWLING
53. BOARDINGHOUSE
54. FRIDAY THE 13TH PART 2
55. BUG
56. HOUSE BY THE CEMETERY

2011
57. PSYCHOMANIA
58. RODAN
59. FRIGHTMARE
60. HENRY: PORTRAIT OF A SERIAL KILLER
61. THE DEAD
62. TRICK OR TREAT
63. NIGHT WARNING
64. FRANKENHOOKER
65. DR BLACK, MR HYDE
66. LEGEND OF THE WOLF WOMAN
67. BLOOD DINER
68. THE BURNING
69. MAXIMUM OVERDRIVE
70. MEET THE FEEBLES

2012
71. THE GATE
72. Q
73. THE DRILLER KILLER
74. XTRO
75. HALLOWEEN III
76. SUSPIRIA
77. CHUD
78. NIGHT OF A THOUSAND CATS
79. VAMPIRES NIGHT ORGY
80. THE HIDDEN
81. LITTLE RED RIDING HOOD AND THE MONSTERS
82. SON OF BLOB
83. INCREDIBLE MELTING MAN
84. HUMONGOUS
85. DR. BUTCHER, MD

Friday, October 04, 2013

31 DAYS OF FRIGHT: It's Anthology Flick Friday With V/H/S/2

I neither loved nor hated 2012's V/H/S, the analog-inspired, found footage horror anthology which featured segments from such rising stars in the film world as Adam Wingard (YOU'RE NEXT), Ti West (the underrated CABIN FEVER 2) and Joe Swanberg (DRINKING BUDDIES). A bit long, frequently predictable and a tad too hit or miss – admittedly a trait of any anthology effort – I still had to give the flick props for presenting such a grab bag of genres and for pulling off a few unexpected and effective chills.

Naturally, the flick's success inspired a second round of found footage fun collected in V/H/S/2, out now from Magnet, and the result is similarly schizophrenic though not nearly as inventive.

Thankfully swapping out the original's nihilistic assholes for a cheap private dick with worn shoes and holes in his pants, the wraparound story is much more straightforward – and even more disposable – this time around. Hired by a concerned mom, the detective and his assistant break into the house of a college student only to find a bank of televisions, a fresh drop of blood and a bunch of VHS tapes. Sorting through the piles and pressing the pair bring us a quartet of tales...

The first two segments – 'Phase I Clinical Trials' (directed by the returning Adam Wingard) and 'A Ride in the Park' (from BLAIR WITCH PROJECT vets Eduardo Sanchez and Greg Hale) – suffer from being far too predictable for all but the most neophyte horror viewer.  The tales of sensory implants and zombies, respectively, never veer beyond what you would expect and really left me hoping I wasn't wasting my time.

Luckily, the flick rebounds impressively with its final two installments – one from an unexpected source. Not surprisingly, 'Safe Haven' from directors Timo Tjahjanto (ABCs OF DEATH, MACABRE and the upcoming THE NIGHT COMES FOR US) and Gareth Huw Evans (the goddamn RAID: REDEMPTION) is the highlight of the flick, solidly weaving a tale of a killer cults, love triangles, accelerated gestation and, well, a demon baby. Grimy, gritty and sick on a number of levels, 'Safe Haven' begs to be fleshed out into feature.

I could say the same for Jason Eisner's 'Slumber Party Alien Abduction', which surprises the hell out of me. Despite much love for it from genre fans I loathed his HOBO WITH A SHOTGUN and was sorta dreading what he would bring to the V/H/S/2 table. Who knew the Canuxploitationer was capable of delivering such a madcap tale of horny dudes, hot sisters, adolescent tomfoolery and alien abduction?!

So there you have it. Two predictable tales you can have on in the background and two solid entries you'll want to pay attention to. With its streamlined running time and .500 average (I won't hold the wraparound tale against them) V/H/S/2 is certainly worth grabbing, especially at this time of year.

V/H/S/2 is available from Amazon.

Wednesday, April 03, 2013

ER #52 Call for Contributions!

The recently-relaunched Exploitation Retrospect: The Journal of Junk Culture and Fringe Media is currently accepting submissions for our Fall 2013 issue (#52).

We are especially looking for:
  • reviews of horror, sci-fi, exploitation and low-budget cinema available via DVD, Blu-Ray, VHS and streaming formats;
  • interviews with non-mainstream actors, actresses, directors, producers;
  • articles in the 1200-2500 word range (can be career overviews, genre explorations, etc.);
  • comic, magazine, zine and book reviews.
In addition to our usual lineup of horror, sci-fi and exploitation cinema the issue will also feature the debut of our new ASSIGNMENT: ACTION! section featuring reviews of men's adventure novels of the 70s/80s and beyond, action cinema, remembrances of memorable action series and characters and so on. If you dig Remo Williams, The Chameleon, The Penetrator, ABLE Team, The Executioner and their ilk we are definitely seeking contributions from you!

Deadline for submissions is August 1, 2013 with an anticipated publication date of mid-October. All contributors will receive a complimentary copy of the issue. (Please note... this is a hard deadline in order to make our print date and any submissions received after this date may not be included in the issue.)

If you have ideas for interviews, articles or other contributions please contact me via e-mail before embarking on anything.

Not sure contributing to ER is right for you? Feel free to explore this blog, check out our long-running website or order a copy of ER #51 (still available from our website... now in its second printing).

Wednesday, January 02, 2013

Complete (I Think) 2012 Viewing List and Faves

Despite inexplicably not having a few months worth of viewing lists, I think this is a pretty complete snapshot of what I watched in 2012. As always, I don't see enough new stuff in theaters (or even on video) to put together a "Best Of" list for that calendar year so I'll just stick with a list of Ten Favorite New Views as well as some Honorable Mentions (also new views). Big shout-outs, though, to getting to see both HALLOWEEN III: SEASON OF THE WITCH and Stuart Gordon's FROM BEYOND on the big screen this year. Those flicks have long topped my theatrical bucket list (along with NIGHT OF THE CREEPS), so even though I'd seen them a ton of times on video it was great to see 35mm prints of both the way they were meant to be seen.

Top 10 Favorite New Views
BLOOD & BONE
THE DARK KNIGHT RETURNS: PART 1
DRIVE
THE EXPENDABLES 2
FDR: AMERICAN BADASS
GOON
THE MAN FROM HONG KONG
THE RAID: REDEMPTION
[REC]3
RISE OF THE PLANET OF THE APES

Honorable Mentions
CAT RUN
COLD WAR ON ICE
THE COLLECTOR
THE EVIL CLERGYMAN
JERSEY SHORE SHARK ATTACK
MAXIMUM CONVICTION
MURDER OBSESSION
NINJA
PIRANHA 3DD
SLAUGHTER HIGH

New Viewings
  1. THE ABOMINABLE SNOWMAN
  2. AGAINST THE DARK
  3. THE AGGRESSION SCALE
  4. AIRBORNE
  5. ALIEN OPPONENT
  6. THE AMAZING SPIDER-MAN
  7. ARACHNOQUAKE
  8. THE AVENGERS
  9. BARE KNUCKLES
  10. BARREL FULL OF DOLLARS
  11. THE BARRENS
  12. BASKET CASE 3: THE PROGENY
  13. BIG ALLIGATOR RIVER
  14. BLOOD & BONE
  15. BODY PUZZLE
  16. BRAIN DEAD (2011)
  17. BRAVE
  18. THE BURNING MOON
  19. THE CABIN IN THE WOODS
  20. CASABLANCA EXPRESS
  21. CAT RUN
  22. CELLULOID BLOODBATH
  23. COLD WAR ON ICE
  24. THE COLLECTOR
  25. COMIN' AT YA! 3-D
  26. CROSS MISSION
  27. THE CUTTER
  28. DARK HOUSE
  29. THE DARK KNIGHT RETURNS: PART 1
  30. THE DARK KNIGHT RISES
  31. DEAD SEASON
  32. DEADLIER THAN THE MALE
  33. DEATH WEEKEND
  34. DON'T OPEN TILL CHRISTMAS
  35. DRACULA: SOVEREIGN OF THE DAMNED
  36. DRAGON EYES
  37. DRIVE
  38. ELF-MAN
  39. THE EVIL CLERGYMAN
  40. EXPENDABLES 2
  41. FDR: AMERICAN BADASS
  42. FEAR IS THE KEY
  43. FINAL DESTINATION 5
  44. FRANKENFISH
  45. FRIGHTMARE (1974)
  46. GOON
  47. HALLOWEEN 2 (ROB ZOMBIE)
  48. HOSTEL II
  49. HOSTEL III
  50. HOTEL TRANSYLVANIA
  51. HUMONGOUS
  52. I AM BRUCE LEE
  53. IF YOU MEET SARTANA, PRAY FOR YOUR DEATH
  54. JERSEY SHORE SHARK ATTACK
  55. JUSTICE LEAGUE: DOOM
  56. KILL SQUAD
  57. LARGO WINCH: HEIR APPARENT
  58. LET THE BULLETS FLY
  59. LITTLE RED RIDING HOOD AND THE MONSTERS
  60. THE LORAX
  61. THE LOST BLADESMAN
  62. MADAGASCAR 3
  63. MADHOUSE
  64. THE MAN FROM HONG KONG
  65. MANBORG
  66. MAXIMUM CONVICTION
  67. MITCHELL
  68. MONEYBALL
  69. MOUNTAIN OF THE CANNIBAL GOD
  70. MURDER OBSESSION
  71. MYSTERY TEAM
  72. NEW YEAR'S EVIL
  73. THE NIGHT EVELYN CAME OUT OF THE GRAVE
  74. NINJA 
  75. THE NO MERCY MAN
  76. OUR IDIOT BROTHER
  77. OUT OF REACH
  78. PIGHUNT
  79. PIRANHA 3DD
  80. PIRANHACONDA
  81. THE RAID: REDEMPTION
  82. RAMPART
  83. RANGO
  84. THE RAVEN
  85. [REC]
  86. [REC]2
  87. [REC]3
  88. RESIDENT EVIL: RETRIBUTION
  89. RISE OF THE PLANET OF THE APES
  90. SANTO IN THE TREASURE OF DRACULA
  91. SCOOBY-DOO AND THE LEGEND OF THE PHANTOSAUR
  92. SCORPION WITH TWO TAILS
  93. SCREAMERS
  94. SENNA
  95. SHANGHAI KNIGHTS
  96. SHARK NIGHT
  97. SHERLOCK HOLMES 2: GAME OF SHADOWS
  98. SILENT NIGHT
  99. SLAUGHTER HIGH
  100. SNOW SHARK
  101. SON OF BLOB
  102. STEEL & LACE
  103. THEATRE BIZARRE
  104. TITANIC II
  105. TODAY YOU DIE
  106. TORSO
  107. TRANSIT 
  108. TWILIGHT
  109. THE UNITED
  110. UNKNOWN
  111. US SEALS 2
  112. VAMPIRES NIGHT ORGY
  113. A VERY HAROLD & KUMAR CHRISTMAS
  114. WIPEOUT!
  115. WOLVESBAYNE
  116. WU XIA
  117. YOUNG ADULT
Rewatches
  1. ALL THE COLORS OF THE DARK
  2. CHUD
  3. DR BUTCHER, MD
  4. DRILLER KILLER
  5. THE ENFORCER
  6. THE EXTERMINATOR
  7. FRIDAY THE 13TH PART 3-D
  8. FROM BEYOND
  9. THE GATE
  10. HALLOWEEN III: SEASON OF THE WITCH
  11. HANDS OF STEEL
  12. THE HIDDEN
  13. HUMANOIDS FROM THE DEEP
  14. ILSA, SHE WOLF OF THE SS
  15. THE INCREDIBLE MELTING MAN
  16. KINSKI/PAGANINI
  17. LIFEFORCE
  18. NIGHT OF 1000 CATS
  19. NIGHT OF THE CREEPS
  20. PRAY FOR DEATH
  21. PSYCHO KICKBOXER
  22. Q
  23. ROCK 'N' ROLL HIGH SCHOOL
  24. SHANGHAI NOON
  25. SILENT NIGHT, DEADLY NIGHT
  26. STAR WARS
  27. SUSPIRIA
  28. TRANCERS
  29. VICE SQUAD
  30. XTRO

Wednesday, December 19, 2012

Zombie Tree

Being pulled in a million different directions today, so no time for a longer post. In the meantime, please enjoy this Zombie Christmas Tree from the recent Kennedy Krieger Festival of Trees here in MD.


Tuesday, November 01, 2011

ER 2011 Zombie Haiku Contest Winner!

Thanks to everybody who took the time to put together an entry for the ER 2011 Zombie Haiku Contest.

Entries were very varied and unique... some evoked zombies of the silver screen while others reimagined comic book superheroes as head-chomping monsters. Sports were skewered, holidays were zombified and some people, well, just seemed to like writing about zombies.

But when it was all said and done our celebrity judges (Louis Fowler of Damaged Hearing/Damaged Viewing, Deadvida from RIGOR MORTIS and AMY'S IN THE ATTIC director Matthew Saliba) had one overwhelming, consensus favorite...

Zombies holding signs
"We ate 99 percent!"
#OccupyLiving

Congratulations to the mysterious "M" for their entry. Will the academy look back years from now and wonder if the timeliness of the haiku helped push it over the top? I'll leave that topic for the haiku contest historians.

In the meantime, thanks again to all our judges, sponsors and prize contributors: Louis Fowler, Deadvida, Matthew Saliba, Damaged HearingDamaged ViewingRigor Mortis, BlackFlag.tvB-Movie.comAMCNetworks 'The Walking Dead' for participation, sponsorship and support!

Monday, October 31, 2011

31 Days of Fright!: 5th Annual Exhumed Horrorthon Roundup


Here's a list of the flicks shown at this weekend's Fifth Annual Exhumed Films 24 Hour Horrorthon (otherwise known as My Favorite Weekend of the Year). Taking their cues from this past spring's successful eXFest, the Horrorthon featured 13 films that had never been shown by Exhumed at any of their regular screenings or marathons as well as an uncut UK print of a film they had shown before.

Personally, I think that made this year's lineup tougher for them to put together because without having screened a lot of these with a crowd you just never know how they'll play with a large group of fans with diverse tastes. The complete list is below (sans trailers and shorts shown between films) along with some brief thoughts and a rating on a scale of 1 to 10.

THE DEATH WHEELERS aka PSYCHOMANIA (7/10)
I'd never seen this trippy 1973 British motorcycle zombie flick until it came out on DVD a year or so ago. (Read full review here.) Not your typical living dead, these re-animated bikers pretty much look the same as they did when alive but they can't be killed. Every time I watch it I can't help but think it's like what the gang at Monty Python would have done had they made a horror flick instead of their take on Camelot.

RODAN (6/10)
It's probably been 35 or more years since I last saw this 1956 giant reptiles attack monster flick. Was hoping for more of a giant monster/Godzilla stomp-a-thon but to RODAN's credit it zips along and never drags.

FRIGHTMARE (8/10)
Not to be confused with Peter Walker's 1974 film that's often found under this name (and I recently picked received on DVD), this version is all 80s all the time, complete with skinny ties, new wave haircuts and future RE-ANIMATOR star Jeffrey Combs as a member of a horror film society that steals the body of a recently-deceased, homicidal faded horror film icon so they can party with him. When the vengeful film star is brought back to life he sets about dispatching his one time fans. Reminded me a bit of CHILDREN SHOULDN'T PLAY WITH DEAD THINGS.

HENRY: PORTRAIT OF A SERIAL KILLER (Incomplete)
I thought this one an odd choice for a group Halloween horrorthon, but HENRY proved to be the perfect opportunity to go to Wawa and grab a bite for dinner. I'd seen HENRY once before and its depressing, nihilism wasn't something I was in a big rush to experience again. We sat back down just in time for the home invasion "screening" and finale and even from watching that portion you're reminded of the flick's powerful punch and the captivating performance by Michael Rooker.

THE DEAD (7/10)
The fest's only digital projection due to a last minute decision by the distributor to not send a 35mm print, this was also the only flick we knew was playing ahead of time. An upscale version of the "zombies have overrun Africa" flicks that I've enjoyed for so long from the likes of Fulci, Mattei and even the RESIDENT EVIL makers. This one certainly has a more polished feel to it but the way the film is structured makes it more predictable than I'd hoped and the ending is telegraphed early in the film. Still, I'm always happy to see a tense, well acted zombie flick on the big screen.

TRICK OR TREAT (8/10)
Last (and initially) saw this film 25 years ago when visiting a friend at University of Dayton during our college days. I recall thinking it was sorta "meh" at the time but the years have been good to the flick and the irony with which its tale of metal misfits, backward masking and Satanic imagery can now be viewed only enriches the experience. Plus, it plays great with a crowd! The most pleasant surprise of the event.

NIGHT WARNING (9.5/10)
Dear Meryl Streep: Please return the Oscar you took home in 1982 for your role in SOPHIE'S CHOICE. You know, the one you stole from Susan Tyrell for her fearless, amazing turn as a homicidal, horny, incest-driven maniac out to protect Jimmy McNichol from sluts like the girl who played Stephanie on 'Newhart'. One of the single most un-PC flicks I've ever seen (thanks to Bo Svenson's turn as the world's most neanderthal, homophobic cop) this was the flick that blew my mind a la TEENAGE MOTHER, RAW FORCE, WICKED WICKED and BOARDING HOUSE from Horrorthons past. Amazing and an immediate buy when the DVD comes out.

FRANKENHOOKER (8/10)
Another trash classic I hadn't seen since the last gasp exploitation age of the early 90s, this one totally holds up thanks to a completely whacked out plotline, James Lorinz's inspired turn as Jeffrey Franken, exploding hookers, super crack and Patty Mullen as the post-surgery titular Frankenhooker. I probably jinxed myself at this point by texting that the event was going great and I couldn't wait to see what else was coming...

DECISION FOR DOOM aka DR BLACK, MR HYDE (6/10)
I'm not a huge blaxploitation fan so a middle of the night screening of this slooooooww 1976 riff on the Jekyll and Hyde tale may not have been the ideal viewing experience for me. Bernie Casey stars as a rich doc who grew up in a whorehouse. When he attempts to create a serum that regenerates dying liver cells he tests it out on himself... with unfortunate and murderous results.

LEGEND OF THE WOLF WOMAN (6/10)
A woman has recurring visions that she is a werewolf (and the photo of her lycanthropic ancestor that looks just like her doesn't help) so she has sex with men then rips their throats out. After escaping from a mental institution she finds happiness with a stuntman but the lovers are assaulted by a gang of thugs who kill him and rape her. After that it shifts gears into a revenge tale as she tracks down the men responsible. Might give this one another go some time but only because I have a soft spot for European werewolf flicks.

BLOOD DINER (1/10)
I hate BLOOD DINER. I've hated BLOOD DINER since I first saw it in the late 80s and, if possible, hate it even more now. Have never understood the appeal of its imbecilic, infantile sense of humor, horrible acting and wretched directing. When the best thing about your movie is a naked kung-fu scene I think it's safe to say your movie blows.

THE BURNING (6/10)
I loves me some slasher flicks but I've never been able to get a handle on the love for this boring, tension-free 1981 genre entry. It's your typical tale of Cropsey, a creepy caretaker who gets burned to a crisp by some asswipe campers who play a prank on the dude. When Cropsey's well enough to rejoin society he sets about killing a bunch of people who had absolutely nothing to do with his misfortune. Multiple viewings over the years have left me unimpressed by this one and this weekend's screening didn't do much to change my mind. Packed with a lot of familiar faces like Jason Alexander (who appears to be wearing a horrible toupee from the Jeremy Piven Collection despite the fact that he's 22), Fisher Stevens, Brian Backer, Leah Ayres, and a "really-she-was-in-this?" Holly Hunter.

MAXIMUM OVERDRIVE (2/10)
Tedious doesn't even begin to describe this directorial effort (and I do mean "effort") from Stephen King. Based on his short story "Trucks", the gaping-plot-hole-packed sci-fi/action/horror smodgepodge centers around a group of workers, travelers, truckers and locals trapped at a NC truck stop when the machines start acting independently. Well, not all the machines, just the ones convenient to the stupid plot. Emilio Estevez and Yeardley Smith lead a cast that will have you cheering for the trucks. The longest 97 minutes I've spent in a long, long time.

MEET THE FEEBLES (Incomplete)
When you're holding out hope that the "jaw-droppingly ridiculous/gory/offensive/just-plain-wrong" cult flick set to conclude the event is going to be BLOODSUCKING FREAKS and it turns out to be MEET THE FEEBLES, well, you can probably understand why my enthusiasm for watching Peter Jackson's 1989 "adult" puppet show may not have been at its highest. I remember when videos of this flick were making the rounds back in the heyday of ER. I didn't like it then and the first 30 minutes of this viewing didn't sway me so with a long drive back home to Baltimore staring me in the face (after nearly 30 hours of being awake) we decided to ditch and hope for a visit from Ralphus and Sardu (perhaps) next time.

Kudos to the Exhumed Films guys who manage to pull off a show that runs smoothly and attempts to satisfy an audience with a very wide range of tastes!

Friday, December 31, 2010

What I Dug in 2010: Movie Edition

If you're looking for a "best" films list or even a list of flicks that came out in 2010 you may want to move along. It'd probably be tough to argue that anything I really enjoyed would make anybody's "best" list and other than THE SOCIAL NETWORK and PREDATORS, the only new theatrical releases I saw this year were all kid-oriented... ALVIN & THE CHIPMUNKS 2: The Squekuel, SHREK EVER AFTER and TOY STORY 3.

So what you have below is my list of the flicks I enjoyed watching the most in 2010. Doesn't matter when they came out, doesn't matter how I saw them... but first, a little accounting. Unless I watch 20 flicks to ring out 2010 my numbers are definitely down from 2009.

2009
------
75 New + 30 Rewatches = 105 Total

2010
------
67 New + 18 Rewatches = 85 Total

I did watch a higher percentage of films for the first time (79% this year to 71% last year) but the overall list is disappointingly light on Kinski flicks (only three for the year!) and my Eurotrash excursions took a surprising drop-off about midway through the year, never to recover. If I'm going to make any kind of cinematic resolutions for 2011, correcting those glaring errors will be at the top of the list.

Without further ado here's DT's 2010 Favorite Watches (in no particular order, only new watches eligible):

DANCE OF THE DEAD (2008): A late entry on the list thanks to a recommendation from good pal Bruce Holecheck of Cinema Arcana. Imagine a high school zombie comedy that's a little bit DAZED AND CONFUSED and a little bit NIGHT OF THE CREEPS with geeks, freaks, dweebs, cheerleaders, rockers and rednecks teaming up to battle an army of toxic zombies on prom night. Genuinely funny and packed with plenty of splatter.

TRIANGLE (2009): People seem to love or hate this Twilight Zone-esque tale of castaways who find themselves reliving the events on a seemingly-abandoned cruise ship after their boat capsizes. The ads featuring a weapon-wielding killer wearing a bag over their head might have led folks to believe this was more of a slasher than a head-scratcher but I loved every twist and turn.

KISS KISS BANG BANG (2005): It only took me five years to catch up with what may be my favorite flick of the last decade. A smashing love letter to the Gold Medal and pulp paperbacks I was obsessed with back in the 90s, Shane Black's triumphant return features Robert Downey, Jr. and Val Kilmer (aka The American Klaus Kinski) as a pair of mis-matched detectives in this somewhat screwball actioner. Downey, Kilmer and Co. need to re-team for another adventure from these characters... and soon!

DELIRIUM (1987): Oh DELIRIUM – and Serena Grandi – how did you escape my gaze for so long? Pretty sure this late 80s giallo from Baby Bava ended up in my Netflix queue at the urging of fellow HorrorDad(tm) and Tomb It May Concern scribe David Zuzelo – who apparently knows me very, very, very well. Grandi stars as Gloria, a former model who runs an adult mag called Pussycat. A deranged killer/stalker/fan is murdering models, posing them for the camera and then sending the pix back to her, boosting circulation but also making poor, busty Gloria wonder if the killer is one of her inner circle. Well, duh! An off-the-wall slice of 80s Eurotrash complete with familiar faces from Bava's DEMONS, sexy gals in various states of undress and a very oddball vibe that sets it apart from the norm.

GONE WITH THE POPE (2010): Duke Mitchell's "lost" 70s low-budget gangster epic finally saw its long overdue release thanks to the tireless efforts of Oscar winner Bob Murawski who shaped this bizzaro tale of mobsters (led by Duke Mitchell, the low-rent Dean Martin) who decide to kidnap the Pope. Certainly one of the most perplexing cinematic experiences I've ever had, with what seems like two shorter flicks jammed together to make one jaw-dropping, existential masterpiece. Along with BOARDING HOUSE (see below) this was the theatrical highlight of the year for me.

SLAUGHTER NIGHT (2006): Forget the slasher-esque title and headache-inducing aka of SL8N8. SLAUGHTER NIGHT is an entertaining dose of Euro-horror that dispenses with the recent penchant for torture-gore (FRONTIERS, etc.) and gets back to the stuffs I love... possessed beasties ripping out throats and wielding weapons! Though the set-up is pure horror trope and some of the stylistic flourishes gave me a slight headache, I enthusiastically recommend this Euro-mix of THE DESCENT, DEMONS and MY BLOODY VALENTINE.

ASSAULT OF THE SASQUATCH (2009): When this disc arrived in my PO Box I thought, "hmph, it looks like ASSAULT ON PRECINCT 13 with Bigfoot". And after watching this very fun, low-budget I can confirm that that's exactly what it is! More entertaining than it has any right to be, ASSAULT (like THEY BITE and MANSQUITO) finds just the right balance of no-budget exploitation inventiveness, gory effects and crazy humor. Don't be fooled by the no-name cast and improbably high-concept, um, concept. ASSAULT OF THE SASQUATCH delivers more than it promises.

DON'T WAKE THE DEAD (2008): I'd been anxiously awaiting this flick since seeing a trailer for it on YouTube a couple years ago – so when the aforementioned Mr. Zuzelo popped a copy into my hands this summer I had to temper my enthusiasm in order to fairly assess the flick. Ah, screw that, I couldn't wait to watch this nutzoid blend of undead Knights Templar, bimbo rock fans, Nazi zombies and pistol-packing monks who just happen to carry kung-fu weaponry with them. The first 30 minutes is so relentlessly paced and insane that it's hard to expect director Andreas Schnaas to keep it going... and he can't. But I give the pic a free pass and endorsement thanks to that first half-hour and one of the most gut-bustingly entertaining moments in whacked out horror history. Deserves to be seen with a crowd (ala THEY BITE, PIECES, RAW FORCE) for maximum enjoyment.

BOARDING HOUSE (1982): Speaking of RAW FORCE, that flick was the highlight of the 2009 Exhumed Marathon... an insanely great piece of largely-undiscovered trash cinema that literally rocked the house. For me, the highlight of 2010's marathon was easily BOARDING HOUSE (aka HOUSEGEIST), a shot-on-video-then-transferred-to-film masterpiece that will either make you fall in love with its amateurish brilliance or kick your TV in to make it stop for the love of God! There is no middle ground with this lovably inept blend of babes, telekinesis, monsters and mayhem.

FROZEN (2010): It's unfortunate that AMC's hasty pulling of Adam Green's HATCHET II got more ink than his blink-and-you-missed-its-theatricla-release thriller FROZEN, a flick that is rightly getting its due on more than one year end wrap-up. A 180-degree turn from the excellent HATCHET (I have yet to see the sequel), FROZEN tells the tale of two pals and one girlfriend stuck on a ski lift due to a mix of incompetence, indifference and that glazed-over minimum wage look. In other words, forget zombies, demons, devils, vampires, werewolves and whatever other supernatural beasties you're afraid of. It's the doped up dudes who run the ski lifts and carnival rides we probably have to fear the most! Itchy-skitchy and genuinely tense, Green's FROZEN simply confirmed my love of warmer climates and sandy beaches.

So there you have it. My "Favorite Watches for 2010" barring any last-minute contenders I might see tonight. Though there were a handful of completely worthless duds that I suffered through (DRAG ME TO HELL, MIRRORS [US], TERMINATOR: SALVATION, THE HOUSE ON SORORITY ROW [original], NECROSIS, CRUCIBLE OF TERROR, ANGELS & DEMONS, X-MEN ORIGINS: WOLVERINE, METAMORPHOSIS, BUG) I felt like this was a pretty solid viewing year.

In fact, you could do worse than check out any of these honorably mentioned slices of sinema that almost made my Top 10: REDNECK, BIG BAD WOLF, BLOOD GAMES, PLANET HULK, PSYCHOMANIA, BATMAN: UNDER THE RED HOOD, BONE SICKNESS, LOVE & MONEY, THANKSKILLING and WILD BEASTS.

New Watches (67)
-------------------------
12 Rounds
The Alcove
American Drive-In
Angels & Demons
Assassination Bureau
Assault of the Sasquatch
Batman: Under the Red Hood
The Beast Must Die
Behind the Planet of The Apes
Big Bad Wolf
Blades
Blood Games
Boarding House
Bone Sickness
Bottle Shock
Bug
Cold Storage
Crucible of Terror
Dawn of the Dead (Extended Cut)
Dead Eyes Open
The Deadly Spawn
Delirium
Don't Wake the Dead
Drag Me to Hell
Driven to Kill
Five Elements Ninjas
Frankenstein's Castle of Freaks
Frozen
Going to Pieces: Rise and Fall of the Slasher Film
Gone with the Pope
Grand Prix
Green Lantern: First Flight
The Green Monster
His Name Was Jason
The House on Sorority Row
JCVD
Justice League: Crisis on Two Earths
Justice League: The New Frontier
Kidnapping of the President
Kiss Kiss Bang Bang
Lights, Camera, Dead
Lisa & The Devil
Loose Screws: Screwballs 2
Love & Money
Metamorphosis
Mighty Peking Man
Mirrors
Muckman
Necrosis
Night of the Demon
Planet Hulk
Predators
Psychomania
Psychopath
Redneck
Slaughter Night
The Social Network
State of Play
Survival of the Dead
Tales from the Crypt II
Terminator: Salvation
Thankskilling
Triangle
Wild Beasts
X-Men Origins: Wolverine
Zombieland

Rewatches (18)
-------------------
Batman vs Dracula
Better Off Dead
Beyond the Darkness
Curse of Frankenstein
Demons
Elm Street 3
Forbidden World aka Mutant
Friday the 13th Part 2
The Funhouse
Galaxy of Terror
Grand Slam
House by the Cemetery
The Howling
It Lives Again!
Jason Goes to Hell
The Last Match
Masters of Horror: The Black Cat
Phantom of the Paradise